Are we more confident by day than by night? Or are we just stupider?
By day, we writers are creature of light, drawing energy from an optimistic inner sun. We are fearless and confident. Problems in the work are merely possibilities as yet undiscovered. Give it time, we tell ourselves; it will all come right.
By night—especially at the end of long days at the page—we are weak-willed drivellers. The moments that delighted us, the romance in the words, are caught in a vortex of crippling despair. We are doubtful about the whole product. We are afraid. We are terrified breathless.
Day is strength. Night is doubt. The story we loved at noon is hopelessly idiotic at nine. The characters are vapid; the plot, vaporous. What the hell were we thinking? And why the hell have we been thinking it for three years?
There is no way around the pink elephant in the room. We tell ourselves and others that this book is just a very different creature, not readily recognizable as a comfortably familiar genre. At night, all we can see is that the elephant is just improbably, halluncinogenically pink, nothing more.
At night, our daylit confidence dissolves. Our optimistic regard of our talents melts like frost under a heat lamp.
Day tells us that hard work will, eventually, get us where we want to be.
Night tells us that we are talentless shlubs that no effort can possibly redeem.
Now the too-polite smiles will come. The friends who have professed eagerness to read the work will not finish it. Or they won’t comment on it. Or it will just disappear from the list of things you talk about together. They won’t tell you why, for fear of the hurt that you and they both know will result.
Now the doubts will come. The certainty that we will forever be relegated to the limbo of the mediocre-almost; of the hobby writer; of the dabbler. The worst place in the world for a dedicated wordsmith to be.
Which is why I’m going to bed. To not-think. To let my tired brain wait for the day to recharge it. To delude myself afresh—or to find my hope again. Both. Or neither. Over and over and over again.